A cartoon illustration & design project for a friend’s party required the resulting art to be suitable for reproduction on a photocopy machine. After some trial, error, Google search, trial, error, Google search, trial, error I discovered the magic combo that allows you to create a halftone in Photoshop for an image and print it out on your inkjet printer so the art will be perfect for photocopying.
This technique is perfect for flyers, newsletters or any other short-run printing needs you have where the cheapness of a photocopy is desired, but so are grayscale images.
Continue reading 'Cartoon Art & Halftones Tutorial: From Inkjet Printer to Photocopier'
by George Coghill -
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It’s going to happen you you eventually — a client who doesn’t pay their bill. And unless the project was for a significant amount of money, the unfortunate truth is that many times it isn’t worth the cost of suing. The legal fees can very quickly outweigh the money you’ll get, and that’s the positive side!
Because of this, I make it a standard practice to ask for a 50% deposit for all work before starting a project. But this only covers you so far. I also do not transfer any high-resolution or vector art until the final balance is paid, but sometimes this doesn’t cover your butt — for example, the client may only want to use the art on their website, or may have no clue about proper printing resolutions and will go ahead an use the low-resolution JPEG preview images you’ve been sending them.
Continue reading 'Avoid Non-Paying Clients With Watermarks'
by George Coghill -
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If you aren’t familiar with cartoonist Tom Richmond, make yourself familiar. This guy’s work is absolutely amazing. Very much in the style of Mort Drucker from MAD Magazine — only taken to the extreme. Not only is his cartooning & caricature style excellent, but his color work is also phenomenal. Tom graciously has taken the time to outline exactly how he digitally colors his artwork in Photoshop in a juicily-detailed three-post tutorial/how-to series on his cartooning blog.
Continue reading 'Digital Coloring Tutorials by MAD Magazine cartoonist Tom Richmond'
by George Coghill -
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I just discovered these free PDF downloads of Inkspot, the Australian Cartoonists’ Association’s official magazine. The current issue feature über-caricaturist Mort Drucker. The publication is about 24 pages and contain interviews and news. I haven’t delved into the complete issue just yet, but looks to be a great resource.
Lots of interviews with cartoonists and other informative cartooning and cartoon industry resources in each issue.
by George Coghill -
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Ever need to temporarily reference another document while working on something – this may be an image, or instructions, or a PDF file. Many times you want it floating right on top of your current document so you can refer to it while you are working, and not have to switch back and forth between applications.
I do this a lot when working in Illustrator, especially working from reference images, but also the occasional email message or PDF file sent by a client.
Continue reading 'Productivity Tip: Floating, Transparent Reference Images Using Screenshots & Free Software Afloat'
by George Coghill -
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Primary, secondary, tertiary, complimentary, analagous, brightness, hue, value, saturation, tints, shades… do these words mean anything to you? They should.
A post by cartoonist Matt Glover points out ColorFAQ – very basic web guide to color theory. It got me poking around on the internet for some other sites with some more depth on the subject. Sometimes I forget how much I use color theory every single day, it’s just something that sometimes goes on autopilot and is an easy topic to forget to recommend to others.
Continue reading 'Color Theory Resources'
by George Coghill -
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I touched on the awesomeness of using multiple pencil grades in a previous post on essential cartoonist tools before, but there’s a great overview specifically on pencil grades by cartoonist Matt Glover. There’s some decent additional pencil grade classification information over at Wikipedia as well.
Find out what those cryptic “2B”, “HB”, “6H” and the rest really mean. Knowing the difference, having a full set of pencils with all the grades in the range is a must. This is the way to lay down very thick, dark blacks in your drawings as well as fine, light grays. It’s all in the blackness and hardness my friends.
Continue reading 'Pencil Grades: An Overview'
by George Coghill -
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Here’s a quick tip for you Mac OS X users out there: you can move any window behind the currently active window (also known as the window that has “focus”) without activating it/bringing it to the front.
This one’s real simple: hold down the Command (Apple) key, and then click on the background window’s title bar area (as you normally would) and voilà – you’re moving the window in the background. You can even grab the scroll bar and move it if you have access to it.
Continue reading 'OS X Tip: Move Windows In The Background Without Activating Them'
by George Coghill -
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The excellent Illustrator blog BittBox has a nice Adobe Illustrator Layer Mask tip/walkthough on how to use this highly useful, productivity-enhancing (and fairly obscure) feature of Illustrator CS and higher.
Layer Masks are basically clipping masks that apply to the entire layer (Layer masks need to be sub-layers, and the top-most one at that). The best feature is that they can be locked, and they are not tied to one specific object, or cause an entire group of unrelated objects to become “grouped” as they are when applying a clipping mask to them. This allows you to work normally with all the other objects on other sub-layers while still getting that clipping mask effect.
Head on over to BittBox and read the full post: Improve Your Illustrator Workflow with Layer Masking
by George Coghill -
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Here’s a cool little idea from the geniuses at CreativeTechs.com: “cheatsheets” for Adobe software that are designed to print on a 3×5 index card, complete with space reserved to punch holes for a binder. Designed with the GTD/Hipster PDA crowd in mind. And they’re free!
This link is to the PDF cheatsheet for the Adobe pen tool, since most (or all) of it’s features work the same across the Creative Suite. A real cool visual reference guide, and just one in a series of cheatsheets for Adobe apps as well as other computer and Mac related info that you just sometimes need at your fingertips.
Looks like they are just starting out with these, so be sure to subcribe to the RSS feed and collect ‘em all!
by George Coghill -
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