Quick video recording from my live Ustream channel. This time, some vector art in porgress. Added the color and initial shading to a cartoon dog character design.
What an awesome project to work on—creating cartoon Frankenstein artwork for a custom hot rod 1971 Barracuda. This project started life when Murray Pfaff of Pfaff Designs contacted me to create the artwork as part of a custom hot rod design he was working on for a client.
This sexy bail bondswoman cartoon character design was created for—you guessed it, a bail bondswoman. The client wanted a woman character design that was sexy, but not too sexy, and had to be professional-looking as well.
Working color vector art for a mascot character project. The ogre will be used as a mascot for a video game portal website. We needed a prop and I suggested a video game controller, the client wanted to go with an old-school Atari 2600 controller, which I think looks great. it’s such an iconic design it really reads well, which is important for smaller sizes.
I recently created an in-depth Adobe Illustrator tutorial for the Go Media graphic design and illustration blog GoMediaZine. The tutorial covers the creation of a cartoon character mascot from sketch to final vector art. The character art is a fun Twitter blue bird cartoon character, and the vector art files as well as icons for use on your own website or blog are available as a free download as part of the tutorial.
In this video, I am sharing with you a vector path creation technique to speed up the process of creating curved paths by adding intermediate anchor points after your corners have been created. I used to create my anchor points as I was following the curve of the shape I was tracing. Instead, with this technique the anchor points are added to your vector path after your corners have been created, allowing Illustrator to approximate the length of the curve handles for you with much greater accuracy the first time around.
For longer than I can remember, I have been flustered with the Flatten Transparency feature in Adobe Illustrator CS3 and CS4. Very often I use the excellent Layer Targeting feature introduced into recent versions of Adobe Illustrator, however I found that when using the Flatten Transparency feature, it seemed to ignore the attributes of the Targeting, which forced me to find lengthy workarounds to solve this. Turns out there was an approach to solving this that I had overlooked…
I recently finished up the first round of a series of custom avatar illustrations for the Cleveland, Ohio convention and visitor’s bureau Positively Cleveland. The initial set of avatar illustrations were for the “web women” of Positively Cleveland — the main online team for their website.
Another brief video in my series introducing some great new features in Photoshop CS4 for artists, cartoonists, illustrators and anyone else who sketches or draws using Photoshop.
This video features the excellent new keyoard shortcuts that allow you to drag-resize the size of the brushes using the mouse pointer.
While the explanation there is a nice summary, I would recommend any Adobe Illustrator (or other vector graphics software) users out there do a bit more research into vector art.
However for a quick explanation for a client or a non-vector graphics friend, the overview linked above pretty much sums it up as much as a non-vector art geek wants to know about the topic.
Humorous illustrator and cartoonist George Coghill specializes in cartoon character design for logos & mascots, and loves to share what he's learned from his 10+ years as a professional freelance artist.
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